{"id":9,"date":"2023-12-01T15:40:41","date_gmt":"2023-12-01T14:40:41","guid":{"rendered":"http:\/\/dev.brotherfilms.fr\/?page_id=9"},"modified":"2025-11-28T15:56:31","modified_gmt":"2025-11-28T14:56:31","slug":"catalogue","status":"publish","type":"page","link":"https:\/\/www.brotherfilms.fr\/en\/","title":{"rendered":"PRODUCTIONS"},"content":{"rendered":"
\n
\n

Breaking In: HEC<\/h2>\n\n\n\n

After an ultra-selective entrance exam, Isabelle, Tom, and Victor have just been admitted to HEC. But at a school that has trained ministers, CAC 40 CEOs, and even a former French president, the three students stand out.<\/p>\n\n\n\n

Their parents are fishmongers, postmen, circus performers\u2026 Often the first in their families to pursue higher education, they arrive at HEC to face a brutal change of world\u2014one with unwritten rules, inherited networks, and codes they were never taught.<\/p>\n\n\n\n

At 20, how do you find your place when you\u2019re thrown into a universe whose language you don\u2019t speak\u2014yet that promises to shape your entire future?<\/p>\n\n\n\n

Directed by Camille Poulain et Jules Giraudat<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong>
Editng Mathieu Goasguen<\/strong>
Music David Enfrein<\/strong>
Graphic design \u00c9lise Desmars-Castillo <\/strong>
Mixing & sound designing David Lassalle<\/strong>
Grading R\u00e9mi Nonne<\/strong>

A co-production Brotherfilms<\/strong> et ARTE France<\/strong>, with the participation of Public S\u00e9nat<\/strong>,
La R\u00e9gion Provence-Alpes-C\u00f4te d\u2019Azur,<\/strong> le Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong> et le soutien de La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>

\u00a9 Brotherfilms \u2013 2025<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

HAVANA SYNDROME <\/h2>\n\n\n\n

Since 2016, hundreds of American diplomats and intelligence officers have been targeted by a strange phenomenon: they heard a piercing sound and felt as though their skulls were about to explode. Many have been left with irreversible aftereffects\u2014yet no one has been able to explain what happened to them. <\/p>\n\n\n\n

This story reads like a spy thriller. Yet it is all too real, striking methodically from Havana\u2026 to Berlin, London, Moscow\u2014and even Washington. <\/p>\n\n\n\n

Un s\u00e9rie de Arthur Bouvart <\/strong>et Jules Giraudat<\/strong>
Produced by Emmanuel Fran\u00e7ois <\/strong>et Alice Mansion<\/strong>
D.O.P. Christophe Astruc, Thibault Delavigne <\/strong>et Julien Mauranne<\/strong> 
Editng Bruno Joucla <\/strong><\/strong>
Collaboration \u00e0 l\u2019\u00e9criture Louis P\u00e9nicaut<\/strong>
Music Jimmy Whoo<\/strong><\/strong>
Documentaliste M\u00e9lissa Dubois <\/strong><\/strong>
Montage son et mixage David Lassalle <\/strong>
Grading R\u00e9mi Nonne <\/strong>
Graphic design J\u00e9r\u00f4me Letu\u00e9<\/strong>

Une cr\u00e9ation documentaire Canal+<\/strong> avec la participation du Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>, le soutien de la R\u00e9gion \u00cele de France,<\/strong> la PROCIREP<\/strong> \u2013 Soci\u00e9t\u00e9 des producteurs, de l\u2019ANGOA<\/strong>
Avec la collaboration d\u2019ICI RDI <\/strong>et la participation de HOT8<\/strong> et Asharq Documentary<\/strong>
Ventes internationale ARTE Distribution<\/strong>
\u00a9 Brotherfilms \u2013 2024<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

MIA FARROW, LIGHTS AND SHADOW<\/h2>\n\n\n\n

Muse, mother, saint, victim, demon, fury\u2026 She has been cast in every role, on screen as in life. <\/p>\n\n\n\n

From the impish, innocent face of her early years to the humanitarian activist of the past few decades, Mia Farrow\u2019s story is that of a vibrant actress whose filmography has helped shape the contours of a certain femininity\u2014one staged through the gaze of great filmmakers, oscillating between purity and madness. <\/p>\n\n\n\n

Directed Thierry Guedj et Alice Mansion <\/strong><\/strong>
Directed by Thierry Guedj <\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
Editng St\u00e9phanie Mahet<\/strong>
Music Antoine Berjeaut<\/strong>
Documentaliste Marie-H\u00e9l\u00e8ne Barb\u00e9ris<\/strong><\/strong>
Narration Elsa Lepoivre de la Com\u00e9die Fran\u00e7aise <\/strong><\/strong>et L\u00e9onie Simaga<\/strong><\/strong>
Grading Guillermo Fernandez<\/strong>
Graphic design J\u00e9r\u00f4me Letu\u00e9<\/strong>
Mixing & sound designing David Lassalle<\/strong>
Grading Mathilde Delacroix<\/strong>

Une coproduction Brotherfilms et ARTE France, avec la participation du Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong> et le soutien de La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
Ventes internationales ARTE Distribution<\/strong>
\u00a9 Brotherfilms \u2013 2024<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

HAITI: THE RANSOM OF INDEPENDENCE<\/h2>\n\n\n\n

It is a hidden chapter in France\u2019s history. Haiti was the first modern nation to win its independence through a slave revolt\u2014only to be financially shackled for generations by reparations demanded for the benefit of former French colonists. The amount that was paid has remained a mystery to this day. And this story is still largely unknown.<\/p>\n\n\n\n

Directed Wandrille Lanos <\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong> 
Editng Mich\u00e8le Hollander<\/strong>
D.O.P. Mathieu Mondoulet <\/strong>
Music Antoine Berjeaut<\/strong>
Documentaliste Marie-H\u00e9l\u00e8ne Barb\u00e9ris<\/strong>
Narration Astrid Bayiha<\/strong>
Graphic design Romain \u00c9g\u00e9a<\/strong>
Sound design Fr\u00e9d\u00e9ric Commault<\/strong>
Mixing Georges Lafitte<\/strong>
Grading Vanessa Colombel<\/strong>

With the participation of France T\u00e9l\u00e9visions et TV5 Monde<\/strong>, avec le soutien de la R\u00e9gion \u00cele de France<\/strong>, avec la participation du Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong> et du Fonds Image de la diversit\u00e9<\/strong> – Agence Nationale de la Coh\u00e9sion des territoires<\/strong>
\u00a9 Brotherfilms \u2013 2024<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

TAIWAN: A FORBIDDEN NATION<\/h2>\n\n\n\n

Taiwan is one of the hottest flashpoints in global geopolitics. The risk of a Chinese invasion grows more real by the day.

Why has Taiwan, in recent years, become the object of so much attention and desire? How does the forging of a Taiwanese identity both irritate Beijing and serve as a bulwark against the hegemonic ambitions of its Chinese neighbor? And what future awaits this territory\u2014indispensable to the functioning of the world\u2014which could soon become the stage for a new war?<\/p>\n\n\n\n

Directed Wandrille Lanos<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong>
D.O.P. Rammohan Pateriya <\/strong>et Julien Mauranne<\/strong>
Editng Mathieu Goasguen<\/strong>
Music Antoine Berjeau<\/strong>t
Documentaliste Karim Kamrani<\/strong>
Narration Sarah Jane Sauvegrain<\/strong>
Grading Guillermo Fernandez<\/strong>
Sound design Fr\u00e9d\u00e9ric Commault<\/strong>
Mixing Georges Lafitte<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>, avec le soutien de la R\u00e9gion \u00cele-de-France<\/strong> et de La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
International sales Mediawan Rights<\/strong>
\u00a9 Brotherfilms \u2013 2023<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

MARTIN LUTHER KING : MORE THAN A DREAM<\/h2>\n\n\n\n

July 2, 1964. After a struggle that shaped the life of Reverend Martin Luther King, President Lyndon B. Johnson\u2014and then Congress\u2014finally bring racial segregation to an end by passing the Civil Rights Act<\/em>.
A historic breakthrough\u2014at least, on the surface\u2026 

Because Martin Luther King knows the reality is very different. Even if racial justice seems to have advanced\u2014at least on paper\u2014inequalities remain plainly visible. Housing, unemployment: socio-economic hardship continues to eat away at the country\u2019s working-class neighborhoods. Martin Luther King has always been convinced that without social justice, there can be no equality. This is the beginning of his new fight.<\/p>\n\n\n\n

Directed Barbara Necek<\/strong>, \u00e9crit par Barbara Necek<\/strong> et Laurent Chikhoun<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong>
Editng C\u00e9dric Harrang <\/strong>et Mich\u00e8le Hollander<\/strong>
Music Antoine Berjeaut<\/strong>
Narration Sarah Jane Sauvegrain<\/strong>
Grading Mathilde Delacroix<\/strong>
Mixing & sound designing David Lassalle<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong> et de Histoire TV<\/strong>, avec le soutien de La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
International sales Arte Distribution<\/strong>
\u00a9 Brotherfilms \u2013 2022<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n
\n

SABINE WEISS: A LIFE IN A CENTURY<\/h2>\n\n\n\n

She captured thousands of faces\u2014smiles, gestures, attitudes. She immortalized a working-class Paris that has now vanished. She photographed the collections of the greatest fashion designers for Vogue and other prestigious fashion magazines. She also travelled the world, always in search of emotion.\nThroughout the second half of the twentieth century, her lens lingered on those living at the margins\u2014people society prefers not to see: beggars, the elderly, Roma communities\u2026 The result is a monumental, eclectic, and profoundly human body of work: a photography that is always turned toward others, bearing witness to a deep love of life.

Sabine Weiss was the last representative of France\u2019s postwar humanist photography movement. Having only just passed away, this film pays tribute to her and retraces the journey of an extraordinary woman whose major body of work embodies a century of humanism.<\/p>\n\n\n\n

Directed Camille M\u00e9nager <\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong>
Avec les voix de Emma Broughton<\/strong> et Mauricette Gourdon<\/strong>
D.O.P. Henry Marquis<\/strong>
Editng Lionel Delebarre<\/strong>
Music Lou Rotzinger<\/strong>
Mixing Georges Lafitte<\/strong>
Grading Mathilde Delacroix<\/strong>
Conseill\u00e8re scientifique Virginie Chardin<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
With the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
International sales The Party Film Sales<\/strong>
\u00a9 Brotherfilms \u2013 2022<\/strong>
<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

BECOMING MARILYN<\/h2>\n\n\n\n

Despite the countless memoirs, essays, films, and books devoted to her, Marilyn Monroe\u2019s inner life has remained elusive\u2014unheard. This film seeks to let her voice be heard, stripping away the layers of projection that still cling to her. And thus, for the first time, to understand how Norma Jeane Baker created the icon Marilyn Monroe.\nTo the attentive viewer, she speaks here in the first person, recounting the fascinating details of that metamorphosis\u2014born of a young woman\u2019s brilliant intuition, her ambition, the imperatives of an era, and the desires of the studio moguls.

Set in a post-#MeToo era, Mich\u00e8le Dominici retraces the path of an immortal, sanctified star\u2014between self-invention and the fight for fame\u2014while, in counterpoint, revealing the violence of a system\u2014the studios and Hollywood\u2014astonishingly brutal toward women, and its persistence at the dawn of the twenty-first century.<\/p>\n\n\n\n

Directed Mich\u00e8le Dominici <\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong>
Avec les voix Agn\u00e8s Jaoui<\/strong> et Georgia Scalliet<\/strong>
Editng Nathalie Amsellem<\/strong> et Sophie Creusot<\/strong>
Music Guillaume Le H\u00e9naff<\/strong>
Documentaliste Catherine Stoeblen<\/strong>
Mixing & sound designing Philippe Charriot<\/strong>
Grading Guillermo Fernandez<\/strong>

A co-production Brotherfilms<\/strong> et ARTE France<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
With the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
International sales Arte Distribution<\/strong>
\u00a9 Brotherfilms \/ ARTE France \u2013 2022<\/strong>

<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

WITCHCRAFT STORIES<\/h2>\n\n\n\n

In a customary court in Brazzaville, judges are tasked with reconciling families torn apart by accusations of black magic. Between metaphysical verdicts and healing rituals, these arbiters struggle to uphold their authority and untangle cases where spirits from the invisible world intertwine with mermaids said to have vanished.<\/p>\n\n\n\n

Directed Corto Vaclav<\/strong> et Hadrien La Vapeur<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion<\/strong>
Editng Laure Saint Marc<\/strong>
Music Frank Williams<\/strong>, Jeanne Lafonta<\/strong>, Martin Mahieu<\/strong> et St\u00e9phane Cochet<\/strong>
D.O.P. Hadrien La Vapeur<\/strong>, Corto Vaclav<\/strong> et Yvan Schreck<\/strong>
Son Corto Vaclav<\/strong> et Mo\u00efse Batola<\/strong>

A co-production Brotherfilms <\/strong>et Exp\u00e9dition Invisible<\/strong>
With the participation of France T\u00e9l\u00e9visons<\/strong>, Canal+ International<\/strong> et TV5Monde<\/strong>
Avec le soutien du CNC<\/strong>, de Brouillon d\u2019un r\u00eave de la Scam<\/strong>, de la Sacem <\/strong>
De La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
\u00a9 Brotherfilms \/ Exp\u00e9dition Invisible \u2013 2021<\/strong>
<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

THE RISE OF CHINARCTIC<\/h2>\n\n\n\n

China\u2019s growing presence in the High North is reshuffling the deck in a region where\u2014far from the spotlight\u2014superpowers watch one another and quietly clash. The Americans are alarmed, the Norwegians hesitate, and the Russians rub their hands. One thing is certain: through China\u2019s footprint, we can explore the Arctic\u2019s present and future in an age of climate emergency.<\/p>\n\n\n\n

Directed Olivier Truc<\/strong>
Produced by Emmanuel Fran\u00e7ois <\/strong>et Alice Mansion <\/strong>
D.O.P. Mathieu Cellard<\/strong>
Editng Bruno Joucla<\/strong>
Music Baptiste Charvet<\/strong>
Mixing Georges Lafitte<\/strong>
Grading Guillaume Fernandez<\/strong>

A co-production Brotherfilms <\/strong>et Arte FRANCE<\/strong>
Avec le soutien du Centre National du Cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
Et l\u2019aide au d\u00e9veloppement de La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
International sales Java Films<\/strong>
\u00a9 Brotherfilms \/ ARTE France \u2013 2021<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

SEEKING FOR GERDA TARO<\/h2>\n\n\n\n

At a time when photojournalism was being invented, Gerda Taro photographed the tragedy of the Spanish Civil War. She created a pioneering body of work\u2014before losing her life on the eve of her 27th birthday.

From Hitler\u2019s Germany to the desperate battles of the Spanish Republic, via the bohemian Paris of the interwar years, her short life spanned the great sweep of history in the first half of the twentieth century.

Her photographs capture the madness of men, the pain of war, but also an ideal of fraternity and the hope of a better world. Her name, long erased from collective memory, has recently resurfaced from the shadows of oblivion\u2026<\/p>\n\n\n\n

Directed Camille M\u00e9nager<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion <\/strong>
Narration C\u00e9line Sallette<\/strong>
Editng Lionel Delebarre<\/strong>
Music Lou Rotzinger<\/strong>
D.O.P. Thibault Delavigne<\/strong>

With the participation of France T\u00e9l\u00e9visons<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
International sales The Party Films Sales<\/strong>
\u00a9 Brotherfilms \u2013 2020<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

ON THE LINE: AMERICA\u2019S DEPORTED<\/h2>\n\n\n\n

Each year, more than 100,000 Mexicans are forcibly sent back by the U.S. authorities to their country of origin. Yet many of them grew up in the United States or built their lives there.

Richard, Rocio, and Sergio were deported after a court ruling with no right of appeal. They now live in Tijuana, on the other side of the wall.<\/p>\n\n\n\n

Directed Leo Mattei <\/strong>et Alex Gohari<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et Alice Mansion <\/strong>
Editng Matthieu Besnard<\/strong>
Music Antoine Berjeaut<\/strong>
Grading R\u00e9my De Vlieger<\/strong>
Mixing Georges Lafitte<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong> et de Public S\u00e9nat<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
International sales Java Films<\/strong>
\u00a9 Brotherfilms \u2013 2020<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

POLICE ATTITUDE: 60 YEARS OF CROWD CONTROL<\/h2>\n\n\n\n

n 2019, following extremely violent clashes between protesters and the police, France\u2019s approach to crowd control was questioned for the first time in its history. But what exactly is that approach? And is it the best one\u2014indeed, the only possible one?

Revisiting sixty years of history in France and among our German and British neighbors\u2014through illuminating archival footage and interviews with leading witnesses and experts\u2014this film dismantles the myth of French-style crowd-control \u201cexcellence,\u201d while asking a question that lies at the heart of democracy: how the police operate when confronted with angry citizens.<\/p>\n\n\n\n

Directed Fran\u00e7ois Rabat\u00e9<\/strong>
Produced by Emmanuel Fran\u00e7ois <\/strong>et Alice Mansion<\/strong>
Conseiller historique et co-auteur Sebastian Roch\u00e9<\/strong>
D.O.P. Julien Mauranne<\/strong>
Editng Pierre Sainteny<\/strong>
Conformation Sophie Krykwinski<\/strong>
Mixing Georges Lafitte<\/strong>
Grading Guillermo Fernandez<\/strong>
Graphic design J\u00e9r\u00f4me Letu\u00e9<\/strong>

Un documentaire Brotherfilms <\/strong>et Public S\u00e9nat<\/strong>
With the participation of Toute l\u2019Histoire<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2020<\/strong>
<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

YOU WILL BE A MOTHER, MY DAUGHTER<\/h2>\n\n\n\n

A century of struggle\u2014for women in France\u2014of progress and backlash, victories, sorrows, and joys.

This film is a French epic\u2014about love, sexuality, male domination, the pains of childbirth, but also medical progress; about the political instrumentalization of \u201cthe mother,\u201d and the fight to emancipate women from the \u201creproductive and domestic\u201d role to which social pressure is so quick to confine them again. Has that struggle truly been won today?<\/p>\n\n\n\n

Directed Bruno Joucla<\/strong> et Camille M\u00e9nager <\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>, David Andr\u00e9<\/strong> et Anne Genevaux<\/strong>
Racont\u00e9 par C\u00e9cile de France<\/strong>
Documentaliste Am\u00e9lie Peicoup<\/strong>
Editng Bruno Joucla<\/strong>
Mixing Georges Lafitte<\/strong>
Grading Guillermo Fernandez<\/strong>
Graphic design J\u00e9r\u00f4me Letu\u00e9<\/strong>
Directeur artistique Samuel Fran\u00e7ois-Steininger<\/strong>
Music LOW Entertainment<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>
Une co-production Brotherfilms<\/strong> et INA<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2018<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

DARAYA, A LIBRARY UNDER BOMBS<\/h2>\n\n\n\n

\u201cDaraya, a Library Under Bombs\u201d tells the extraordinary story of a group of friends from Daraya, a Syrian town besieged by the Damascus regime from 2012 onwards. During the siege, they were 20 years old and set out to build a library from books salvaged from the ruins and from buildings abandoned by residents who had fled\u2014while bombs rained down on the city, month after month. A resistance through books, which they filmed and documented, alongside other scenes that tell a story of friendship, democratic ideals, and a discovery of culture.

Now separated after the fall of the city\u2014some living as refugees in Turkey\u2014these friends are trying by every means to reunite, to keep that adventure alive, and to carry on that ideal.<\/p>\n\n\n\n

Directed Delphine Minoui <\/strong>
Directed by Bruno Joucla<\/strong> et Delphine Minoui <\/strong>
Produced by Emmanuel Fran\u00e7ois <\/strong>et David Andr\u00e9<\/strong><\/strong>
Music Lou Rotzinger<\/strong>
D.O.P. Thibault Delavigne<\/strong>, Bruno Joucla<\/strong> et Mathieu Cellard<\/strong>
Commentaire Antoine Fleury<\/strong>
Mixing Georges Lafitte<\/strong>
Grading Guillermo Fernandez<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>
Avec le soutien de la R\u00e9gion Ile-de-France<\/strong>, de la PROCIREP<\/strong> et de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2018<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

DEVENIR M\u00c9DECIN<\/h2>\n\n\n\n

C\u2019est l\u2019histoire d\u2019une bande de copains \u00e9tudiants en m\u00e9decine. Nina, Yassine, Elise et Joan, d\u00e9couvrent le monde de l\u2019h\u00f4pital. Une universit\u00e9 de la vie, o\u00f9 les malades ne ressemblent pas aux cas cliniques d\u00e9crits dans les livres. O\u00f9 la proximit\u00e9 de la souffrance et de la mort amplifie les \u00e9motions. O\u00f9 le manque de moyens confronte la vocation des \u00e9tudiants \u00e0 la r\u00e9alit\u00e9 des services dans lesquels ils se forment. Quatre parcours, quatre futurs m\u00e9decins, qui nous soigneront demain. Et leurs regards encore frais sur le m\u00e9tier, qui portent une haute id\u00e9e de la m\u00e9decine. Un id\u00e9al, confront\u00e9 \u00e0 la r\u00e9alit\u00e9 des services de m\u00e9decine des grands h\u00f4pitaux fran\u00e7ais dans lesquels ils apprennent leur m\u00e9tier. \u200b\u200b<\/p>\n\n\n\n

Directed Bruno Joucla <\/strong>et Nicolas Frank<\/strong>
With the participation of France T\u00e9l\u00e9visions<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
\u00a9 Brotherfilms \u2013 2015<\/strong><\/p>\n\n\n\n


<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

MARIAGE POUR TOUS
LE GRAND DIVORCE<\/sup><\/h2>\n\n\n\n

D\u2019un c\u00f4t\u00e9 Christiane Taubira, Fran\u00e7ois Hollande, Jean-Marc Ayrault, ou No\u00ebl Mam\u00e8re\u2026 De l\u2019autre Frigide Barjot, Ludovine de la Roch\u00e8re, Jean-Fran\u00e7ois Cop\u00e9 ou encore le cardinal Monseigneur Vingt-Trois. Et au milieu, une incroyable bataille politique et sociale : Celle qu\u2019entra\u00eena \u00ab la loi ouvrant le mariage aux personnes de m\u00eame sexe \u00bb adopt\u00e9e le 23 avril 2013.

Ils nous d\u00e9voilent les strat\u00e9gies politiques, racontent l\u2019\u00e9closion de la gigantesque \u00ab Manif pour tous \u00bb et r\u00e9v\u00e8lent une partie de poker jou\u00e9e par l\u2019\u00c9glise de France. Ils nous font aussi revivre une \u00e9pop\u00e9e parlementaire in\u00e9dite et violente, un \u00ab grand divorce \u00bb qui a laiss\u00e9 des traces jusqu\u2019\u00e0 la fin de la mandature de Fran\u00e7ois Hollande. \u200b\u200b<\/p>\n\n\n\n

Directed Elsa Guiol<\/strong> et Laurent Portes<\/strong>
Directed by Laurent Portes<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
D.O.P. Thibaut Delavigne<\/strong>, Julien Mauranne <\/strong>et L\u00e9o Monnet<\/strong>
Editng Caroline Choplin<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2017<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

DITES-MOI QUE JE M’AIME<\/h2>\n\n\n\n

Quelques heures par mois, une dizaine de femmes se retrouvent dans un centre social de la banlieue de Lens, pour se maquiller, se prodiguer des soins les unes aux autres, \u00eatre ensemble, se raconter les soucis, rire de tout et de n\u2019importe quoi. C\u2019est l\u2019Atelier \u2018Estime de soi\u2019.<\/p>\n\n\n\n

Dominique, une \u00ab esth\u00e9ticienne du social \u00bb \u00e9paule ces femmes qui pensent avoir perdu la face. Telle une bonne f\u00e9e, pench\u00e9e un temps sur leurs destins, elle aide \u00e0 lib\u00e9rer la parole, \u00e0 choisir les th\u00e8mes de discussions, les couleurs des maquillages\u2026

Au fil des mois, le regard change sur soi-m\u00eame et sur les autres. L\u2019espoir et la vie \u00e9mergent, \u00e0 nouveau.<\/p>\n\n\n\n

Directed Lucie Boudaud<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
D.O.P. Richard Montrobert<\/strong>
Editng Lucie Lahoute<\/strong>
Son Christian Vignal<\/strong>, Sylvain Decosse <\/strong>et Quentin Romanet<\/strong>
Musique Manuel Armstrong<\/strong>

Une co-production BROTHERFILMS <\/strong>et Pictanovo<\/strong>
With the participation of France T\u00e9l\u00e9visions<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
Avec le soutien du Minist\u00e8re des affaires sociales et de la sant\u00e9 \u2013 DICOM<\/strong>
Et du CNC \u2013 Fonds images de la diversit\u00e9<\/strong>
\u00a9 Brotherfilms \u2013 2015<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

INSTINCTS PRIMAIRES
COULISSES D’UNE \u00c9LECTION<\/sup><\/h2>\n\n\n\n

\u00ab INSTINCTS PRIMAIRES : coulisses d\u2019une \u00e9lection \u00bb d\u00e9voile les tractations, les man\u0153uvres et les trahisons au c\u0153ur d\u2019une famille politique.

La famille de la droite fran\u00e7aise, encore marqu\u00e9e par ses d\u00e9chirements, lanc\u00e9e dans une \u00e9preuve in\u00e9dite, celle des primaires ! Le film propose une plong\u00e9e exclusive aux c\u00f4t\u00e9s des organisateurs du vote, des candidats et de leurs strat\u00e8ges. On y d\u00e9couvre comment la primaire a \u00e9t\u00e9 impos\u00e9e \u00e0 Nicolas Sarkozy, revenu aux commandes du parti\u2026 Comment, malgr\u00e9 une longue tradition de la culture du chef, Les R\u00e9publicains ont r\u00e9ussi cet exercice d\u00e9mocratique. Comment la question des bureaux de vote, cl\u00e9 de ce scrutin, a donn\u00e9 lieu \u00e0 une passionnante partie d\u2019\u00e9checs pleine de m\u00e9fiance. Comment on a tent\u00e9 d\u2019\u00e9liminer purement et simplement certains candidats. Ou encore, comment les deux favoris suppos\u00e9s de cette compl\u00e9tion ont \u00e9t\u00e9 aveugl\u00e9s par leur duel annonc\u00e9\u2026<\/p>\n\n\n\n

  <\/p>\n\n\n\n

Directed Thomas Legrand<\/strong>
Directed by Bruno Joucla <\/strong>et Elise Baudouin<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
D.O.P. Thibaut Delavigne<\/strong>, Julien Mauranne <\/strong>et Henry Marquis<\/strong>

With the participation of Canal+ et C8<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2016<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

DU C\u00d4T\u00c9 DES VIVANTS<\/h2>\n\n\n\n

Malgr\u00e9 les visions ensanglant\u00e9es qui les hantent, des survivants de l\u2019attentat du 7 janvier nous invitent \u00e0 poursuivre la trajectoire des disparus. Entre le pass\u00e9 et le pr\u00e9sent. Onze r\u00e9cits construits sur un d\u00e9tail, un lieu, une anecdote, un voyage. Moments lumineux o\u00f9 la vie r\u00e9siste, dans lesquels proches des victimes et les miracul\u00e9s font revivre les disparus, marchent sur leurs pas, les continuent.<\/p>\n\n\n\n

Directed David Andr\u00e9<\/strong>
Directed by David Andr\u00e9 <\/strong>et Bruno Joucla<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
D.O.P. Thibaut Delavigne<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>
With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2015<\/strong><\/p>\n\n\n\n


<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

PARIS 2014
COULISSES D’UNE \u00c9LECTION<\/sup><\/h2>\n\n\n\n

A l\u2019occasion des \u00e9lections municipales, Paris vit un duel entre deux femmes, Anne Hidalgo et Nathalie Kosciusko-Morizet. Ce documentaire suit les protagonistes tout au long de la campagne jusqu\u2019\u00e0 l\u2019\u00e9lection.<\/p>\n\n\n\n

Directed Nicolas Glimois <\/strong>et Thomas Legrand<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
D.O.P. Thibaut Delavigne<\/strong>
Journaliste Najib Tajiouti<\/strong>

With the participation of Canal+<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2015<\/strong><\/p>\n\n\n\n


<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

CHANTE TON BAC D’ABORD<\/h2>\n\n\n\n

Documentaire social, film musical, \u00ab Chante ton bac d\u2019abord \u00bb raconte l\u2019histoire tumultueuse et po\u00e9tique d\u2019une \u00ab bande \u00bb de copains de dix-sept ans, habitant \u00e0 Boulogne-sur-Mer : une ville de 45000 habitants touch\u00e9e par la d\u00e9sindustrialisation. Imagin\u00e9es par les adolescents, mises en musique, en paroles et en images par l\u2019\u00e9quipe du film, les chansons font basculer le propos r\u00e9aliste du film dans la magie, dans l\u2019humour et dans le r\u00eave\u2026<\/p>\n\n\n\n

\u00c9crit et r\u00e9alis\u00e9 par David Andr\u00e9<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
D.O.P. Thibaut Delavigne<\/strong>
Editng Bruno Joucla<\/strong>
Son Laurent Rodriguez<\/strong>
Production musicale Vercors – LoW<\/strong>

With the support of La PROCIREP \u2013 Soci\u00e9t\u00e9 des producteurs<\/strong>, de L\u2019ANGOA<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2013<\/strong><\/p>\n\n\n\n


<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

L’EMBUSCADE<\/h2>\n\n\n\n

Trente-et-un parachutistes fran\u00e7ais sont projet\u00e9s dans la mitraille et le chaos pendant plus de vingt heures de combat, dans une zone \u00e0 d\u00e9couvert, oppos\u00e9s \u00e0 des Talibans lourdement \u00e9quip\u00e9s et cinq fois plus nombreux qu\u2019eux. L\u2019h\u00e9ro\u00efsme, le sacrifice, le sang. Neuf morts, seize bless\u00e9s et seulement six soldats indemnes. Presque tous issus du r\u00e9giment de parachutistes de Castres : le 8\u00e8me RPIMA. Tous copains. Jeunes, pour la plupart.<\/p>\n\n\n\n

Directed J\u00e9r\u00f4me Fritel<\/strong>
R\u00e9alisation des animations S\u00e9bastien Dupouey<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
Illustrations Laurent Hirn<\/strong>
Editng Bruno Joucla<\/strong>
D.O.P. Jean-Luc Br\u00e9chat<\/strong> et Thibaut Delavigne<\/strong>
Charg\u00e9e de production Iris Dubois<\/strong>
Mod\u00e9lisation 3D, SFX Patrick Blot <\/strong>
Animation 2D Damien Gaillardon<\/strong>
Storyboard Antoine Audogiori<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2013<\/strong>
<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

LES STRAT\u00c8GES<\/h2>\n\n\n\n

En imaginant \u00ab Les Strat\u00e8ges \u00bb, les auteurs ont fait un pari, celui de proposer une histoire secr\u00e8te de l\u2019\u00e9lection pr\u00e9sidentielle fran\u00e7aise de 2012. Une histoire v\u00e9ritablement politique, celle des strat\u00e9gies, des reniements, des calculs. Celle des \u00ab doutes \u00bb \u00e9prouv\u00e9s par les candidats, des man\u0153uvres tactiques imagin\u00e9es par leurs conseillers, mais aussi celle de leurs convictions et de leurs id\u00e9aux. Une histoire qui ne serait pas seulement une chronique de campagne mais qui serait un r\u00e9cit de science politique ou d\u2019\u00ab Histoire imm\u00e9diate \u00bb. Le film adopte les codes visuels du thriller politique et repose sur la parole d\u2019acteurs majeurs de l\u2019\u00e9lection, tourn\u00e9s dans les lieux de pouvoir.<\/p>\n\n\n\n

Directed David Andr\u00e9<\/strong>
\u00c9crit par Thomas Legrand<\/strong> et David Andr\u00e9<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
Editng Bruno Joucla<\/strong>
D.O.P. Thibaut Delavigne<\/strong>
Journaliste Najib Tajiouti<\/strong>
Son Laurent Rodriguez<\/strong>, Nassim El Mounabbih<\/strong>, Denis Guilhem<\/strong> et Christophe Joly<\/strong>
Documentaliste Anne-Sophie Tellier<\/strong>

With the participation of Canal + <\/strong>et de la RTBF<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2012<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

LA VIE AMOUREUSE DES PR\u00caTRES<\/h2>\n\n\n\n

La r\u00e8gle du c\u00e9libat obligatoire des pr\u00eatres dans l\u2019Eglise catholique romaine est r\u00e9guli\u00e8rement contest\u00e9e : on l\u2019accuse de favoriser les comportements sexuels d\u00e9viants dans le clerg\u00e9, d\u2019acc\u00e9l\u00e9rer la chute des vocations, de signer le d\u00e9calage entre l\u2019Eglise et la soci\u00e9t\u00e9 moderne.

Dans \u00ab La vie amoureuse des pr\u00eatres \u00bb, le r\u00e9alisateur David Andr\u00e9, raconte l\u2019histoire crois\u00e9e de trois pr\u00eatres : Kilien, jeune pr\u00eatre film\u00e9 pendant sa liaison cach\u00e9e avec une femme, fait son \u00ab coming out \u00bb et dit adieu \u00e0 ses paroissiens ; Gabriel, qui vient tout juste d\u2019\u00eatre exclu de l\u2019Eglise, se marie enfin avec sa compagne, apr\u00e8s 40 ans de liaison cach\u00e9e. A l\u2019inverse S\u00e9bastien, un jeune s\u00e9minariste, s\u2019engage au c\u00e9libat et est ordonn\u00e9 dans la cath\u00e9drale d\u2019Orl\u00e9ans : nomm\u00e9 dans la Beauce, il d\u00e9couvre l\u2019isolement des pr\u00eatres aujourd\u2019hui.

Au del\u00e0 des trajectoires humaine, le film propose une r\u00e9flexion sur la solitude des pr\u00eatres en France, sur leur d\u00e9calage avec une soci\u00e9t\u00e9 de plus en plus individualiste et \u00e9rotis\u00e9e et sur les valeurs d\u00e9fendues aujourd\u2019hui par l\u2019Eglise.<\/p>\n\n\n\n

Directed David Andr\u00e9<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
Editng Bruno Joucla<\/strong>
D.O.P. Gr\u00e9goire Ausina<\/strong>, Thibault Delavigne<\/strong>
Son Laurent Rodriguez<\/strong>
Enqu\u00eate Caroline Lumet<\/strong>
Musique Gr\u00e9goire Hetzel<\/strong><\/p>\n\n\n\n

With the participation of Canal + <\/strong>et de la RTBF<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2011<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

CARTON ROUGE AU MAL LOGEMENT <\/h2>\n\n\n\n

Au bout d\u2019un couloir d\u2019immeuble d\u2019apparence anodine, une porte d\u2019appartement s\u2019ouvre. Eric Cantona nous accueille et s\u2019adresse \u00e0 nous d\u2019un ton d\u00e9cid\u00e9. Dans la peau d\u2019un agent immobilier, il s\u2019appr\u00eate \u00e0 nous faire visiter un bien. \u00ab D\u2019abord le couloir, suivez-moi\u2026 \u00bb Nous lui embo\u00eetons le pas, il a l\u2019air grave, brusque, presque autoritaire.

Ce film r\u00e9alis\u00e9 pour la Fondation Abb\u00e9 Pierre se distingue des spots publicitaires habituels. Ici, il ne s\u2019agit pas de vendre un produit, mais de sensibiliser les spectateurs \u00e0 la situation du logement en France et au combat que m\u00e8ne la Fondation Abb\u00e9 Pierre. Il ne s\u2019agit donc ni d\u2019une op\u00e9ration de s\u00e9duction, ni de la cr\u00e9ation d\u2019un d\u00e9sir de consommation, mais d\u2019une interpellation dont la puissance repose sur le charisme et la facult\u00e9 d\u2019empathie d\u2019Eric Cantona d\u2019une part, et l\u2019identification du spectateur \u00e0 la situation d\u2019autre part : \u00ab et si on me proposait d\u2019habiter l\u00e0 ? \u00bb.<\/p>\n\n\n\n

Directed Emmanuel Fran\u00e7ois<\/strong>
DOP Martin de Chabanneix<\/strong>
Agence BBDP & Fils<\/strong>
Pour la Fondation Abb\u00e9 Pierre <\/strong>
\u00a9 Brotherfilms \u2013 2010<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

SUICIDISTAN<\/h2>\n\n\n\n

Oregon, au Nord-Ouest des Etats-Unis. De nombreux \u00ab v\u00e9t\u00e9rans \u00bb d\u2019Irak ou d\u2019Afghanistan ont tent\u00e9 de mettre fin \u00e0 leurs jours. Aujourd\u2019hui \u00ab encadr\u00e9s \u00bb d\u00e8s leur retour par un dispositif m\u00e9dical et d\u2019aide psychologique massif, ces soldats sont devenus le sympt\u00f4me d\u2019un mal am\u00e9ricain. Avec un budget de plus de 50 milliards de dollars sp\u00e9cialement destin\u00e9 \u00e0 l\u2019aide et aux soins psychologiques, le Department of Veterans Affairs tente de renverser une tendance qui a fait passer le taux de suicide dans l\u2019arm\u00e9e devant celui de la population civile. Ce film part \u00e0 la rencontre de ces soldats en d\u00e9pression. Il montre aussi combien ce ph\u00e9nom\u00e8ne est d\u00e9sormais pris au s\u00e9rieux par le gouvernement am\u00e9ricain dans le cadre de nombreux programmes destin\u00e9s \u00e0 endiguer le suicide des soldats de retour du th\u00e9\u00e2tre des op\u00e9rations.<\/p>\n\n\n\n

Directed Christophe Weber <\/strong>et Franck Mazuet<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong> et David Andr\u00e9<\/strong>
D.O.P. Jean-Michel Maldera<\/strong>
Editng Laurent Portes<\/strong>
\u00a9 Brotherfilms \u2013<\/strong> 2011<\/strong><\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

COMME LE TEMPS PASSE<\/h2>\n\n\n\n

Baptiste, parisien trentenaire, emm\u00e8ne sa femme Carole \u00e0 la campagne chez un couple d\u2019amis, Jean-Phi et Nathalie, qu\u2019il n\u2019a pas vus depuis 6 ans. Le temps a pass\u00e9, et les souvenirs communs cachent difficilement des choix de vie divergents. Les amis se cherchent, se forcent, jouent, chantent, font semblant, jusqu\u2019\u00e0 un incident ravageur qui met un terme brutal aux illusions des uns et des autres.<\/p>\n\n\n\n

Directed Cathy Verney<\/strong>
Producteur d\u00e9l\u00e9gu\u00e9 Emmanuel Fran\u00e7ois<\/strong>
Productrice associ\u00e9e Tamara Setton<\/strong>
Interpr\u00e9tation Natacha Koutchumov<\/strong>, Katia Lewkowicz<\/strong>, Charlie Dupont<\/strong>, Renan Carteaux<\/strong>, Alexandre Lier<\/strong>, Louis Talbot<\/strong>, Tanguy Renaud<\/strong> et C\u00e9leste Ohrel<\/strong>
D.O.P. Vincent Muller<\/strong>
Music Low Entertainment<\/strong>, Alexandre Lier<\/strong>, Sylvain Ohrel<\/strong>, Nicolas Weil<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong> – France 2 \u00ab\u00a0Histoires courtes<\/strong>\u00ab\u00a0
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>, de la R\u00e9gion Picardie<\/strong> et de ADAMI<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
\u00a9 Brotherfilms \u2013 2009<\/strong><\/p>\n\n\n\n

Prix du Public et Prix du Rire<\/strong> (Festival International du Court M\u00e9trage de Clermont-Ferrand 2010)
1er<\/sup> Prix de la S\u00e9lection Fran\u00e7aise<\/strong> (Festival International S\u00e9quence Court-M\u00e9trage 2010)
Grand Prix du Jury<\/strong> (Festival du Cin\u00e9ma Europ\u00e9en de Lille 2010)<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

\u00c9TUDIANT CHERCHE LOGEMENT<\/h2>\n\n\n\n

Directed Virginie Tumorticchi<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>
D.O.P. Michel Tardy<\/strong>
Editng J\u00e9r\u00f4me Legrand<\/strong>

With the participation of France T\u00e9l\u00e9visions<\/strong> – France 5<\/strong>
And the participation of Centre national du cin\u00e9ma et de l\u2019image anim\u00e9e<\/strong>
\u00a9 Brotherfilms \u2013 2010<\/strong><\/p>\n\n\n\n


<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n

GUJARAT, L\u2019\u00c9GLISE DES PARIAS<\/h2>\n\n\n\n

Au 1er si\u00e8cle apr\u00e8s J\u00e9sus Christ, Saint Thomas l\u2019Ap\u00f4tre aurait atteint le sud de l\u2019Inde pour y \u00ab propager la Bonne Nouvelle \u00bb. Deux mille ans apr\u00e8s, l\u2019\u00c9glise catholique Indienne est forte d\u2019une communaut\u00e9 de 15 millions de croyants. Si elle ne repr\u00e9sente que 1,5% de la population du pays, elle est tr\u00e8s visible gr\u00e2ce \u00e0 la force de ses \u00e9coles o\u00f9 se pr\u00e9cipite l\u2019\u00e9lite de la soci\u00e9t\u00e9, qu\u2019elle soit chr\u00e9tienne, musulmane ou hindoue.

Dans le sud du pays la pr\u00e9sence catholique est ancienne et bien \u00e9tablie. L\u2019histoire est diff\u00e9rente dans les \u00c9tats du Nord de l\u2019Inde particuli\u00e8rement au Gujarat o\u00f9 Narendra Modi fut le gouverneur. Dans cet \u00e9tat de l\u2019ouest de l\u2019Inde, la pr\u00e9sence de l\u2019\u00c9glise catholique \u2013 et ses 150.000 membres \u2013 est plus r\u00e9cente.<\/p>\n\n\n\n

Directed Ranwa Stephan<\/strong>
Produced by Emmanuel Fran\u00e7ois<\/strong>, Arnaud de Coral<\/strong> et R\u00e9my Bossard<\/strong>
D.O.P. Emmanuel Fran\u00e7ois<\/strong>
Editng Karine Allenbach<\/strong>

Une production 3 Fr\u00e8res Productions – Brotherfilms<\/strong> et CFRT<\/strong>
With the participation of France T\u00e9l\u00e9visions<\/strong> – France 2<\/strong>
Et de la Mission \u00c9trang\u00e8re de Paris (MEP)<\/strong><\/strong>
<\/p>\n\n\n\n


<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n

AD VITAM<\/h2>\n\n\n\n

La Soci\u00e9t\u00e9 des Missions \u00c9trang\u00e8res de Paris a surmont\u00e9 bien des obstacles au cours de son histoire mais elle n\u2019a cess\u00e9, trois si\u00e8cles et demi durant, de former et d\u2019envoyer des missionnaires en Extr\u00eame-Orient.

Comment est-elle parvenue \u00e0 traverser les si\u00e8cles et \u00e0 surmonter les revers de l\u2019histoire ? Quel h\u00e9ritage les premiers missionnaires ont-ils l\u00e9gu\u00e9 \u00e0 leurs successeurs ? Quel r\u00f4le s\u2019assignent aujourd\u2019hui, dans notre monde globalis\u00e9, les Missions \u00c9trang\u00e8res de Paris ? Que signifie la vocation de missionnaire ? Comment le sens des missions a-t-il \u00e9volu\u00e9 au cours des si\u00e8cles ?<\/p>\n\n\n\n

Directed Josselin Charier<\/strong> et Emmanuel Fran\u00e7ois<\/strong>
D.O.P. Olivier Raffet <\/strong>et Julien Pradinaud<\/strong>
Editng Guy Beauch\u00e9<\/strong>
Production d\u00e9l\u00e9gu\u00e9e CC&C<\/strong>, Louis Vaudeville<\/strong>
Production ex\u00e9cutive Emmanuel Fran\u00e7ois<\/strong> – 3 Fr\u00e8res Productions – Brotherfilms<\/strong>
With the participation of KTO<\/strong><\/p>\n\n\n\n


<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

HEC, admis sans les codes \u00c0 la suite d\u2019un concours ultra s\u00e9lectif, Isabelle, Tom et Victor viennent d\u2019\u00eatre admis \u00e0 HEC. Mais dans cette \u00e9cole qui a form\u00e9 de nombreux ministres, des patrons du CAC 40, et m\u00eame un ancien pr\u00e9sident de la R\u00e9publique, les trois \u00e9tudiants d\u00e9tonnent. Leurs parents sont poissonnier, facteur, artiste de […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":29,"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":393,"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/pages\/9\/revisions\/393"}],"wp:attachment":[{"href":"https:\/\/www.brotherfilms.fr\/en\/wp-json\/wp\/v2\/media?parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}